The Role of Agus Tubagus in the Script of Pinangan by Anton P. Chekov Adapted by Suyatna Anirun Using Stanislavsky's Acting Method
DOI:
https://doi.org/10.22437/jcs.v5i1.27795Keywords:
Pemeranan, Tokoh Agus Tubagus, Pinangan, Metode Stanislavsky, Magic IfAbstract
The role of the character Agus Tubagus in the Pinangan script by Anton P. Chekov adapted by Suyatna Anirun is a form of creative effort carried out by the actor to realize the character of Agus Tubagus which is based on the interpretation of the character performed on stage, the embodiment of the character Agus Tubagus uses the Stanislavsky acting method Magic If approach. The process of realizing the character of Agus Tubagus uses methods including; observation, identifying the character, developing the character, animating the character, controlling emotions and dressing the character. The Pinangan script by Anton P. Chekov adapted by Suyatna Anirun contains a story of social reality about a 30-year-old man, Agus Tubagus, who wants to propose to a girl named Ratna Rukmana.
References
Abani, K., Nurcahyono, W., & Rossadi, R. (2022). Pemeranan tokoh Robert dalam naskah A Life in the Theatre karya David Mamet. TONIL: Jurnal Kajian Sastra, Teater dan Sinema. https://doi.org/10.24821/tnl.v19i2.8372
Aini, D. N., & Nasution, M. I. (2021). Analisis tokoh, peran, dan karakteristik naskah dalam drama monolog Aeng karya Putu Wijaya. Lingua Susastra. https://doi.org/10.24036/ls.v2i1.13
Barnych, M., & Horbachuk, N. (2021). Acting: From imagination to transformation. Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production. https://doi.org/10.31866/2617-2674.4.1.2021.235062
Bertens, K. (2006). Psikoanalisis Sigmund Freud. PT Gramedia Pustaka Utama.
Brattström, V. (2015). Playing the “magic if”. In Stanislavski and the world of acting (pp. 164–182). Routledge. https://doi.org/10.4324/9781315743486-10
Clare, Y. (2017). Stanislavsky’s system as an enactive guide to embodied cognition? Connection Science, 29(1), 43–63. https://doi.org/10.1080/09540091.2016.1271397
Fikri, I. F., Ismail, S. N., Zainiyati, H. S., & Kholis, N. (2023). Struktur kepribadian manusia dalam psikoanalisis Sigmund Freud: Perspektif filsafat pendidikan Islam. Edupedia: Jurnal Studi Pendidikan dan Pedagogi Islam. https://doi.org/10.35316/edupedia.v8i1.2787
Fuchs, O., & Cherns, P. (2019). Developing a dramatic analysis of conflict transformation: In what way can Stanislavski’s magic “if” be a stimulus to peacebuilding? Stanislavski Studies, 7(2), 229–243. https://doi.org/10.1080/20567790.2019.1644748
Habillah, A., Irianto, I. S., & Gustyawan, T. (2025). Pemeranan tokoh Rahman dalam naskah Orang-Orang Setia karya Iswadi Pratama. Prabung Seni: Jurnal Pengkajian dan Penciptaan Seni, 4(1), 35–52.
Hetzler, E. (2020). Emotion memory: “A dangerous reputation”. Stanislavski Studies, 8(1), 87–96. https://doi.org/10.1080/09603123.2019.1708619
Irianto, I. S. (2018). Pemeran tokoh Tuan Duran dalam naskah Kematian yang Direncanakan karya August Strindberg terjemahan Joko Kurnain (Disertasi doktoral, Institut Seni Indonesia Padangpanjang).
Irianto, I. S. (2021). Analisis tokoh Tuan Durand dalam naskah Kematian yang Direncanakan karya August Strindberg. Jurnal Gestus, 1(2).
Irianto, I. S., Gustyawan, T., & Handayani, L. (2023). Implementation of vocal training methods from the Stanislavski system in the Kanti Becakap. Gondang: Jurnal Seni dan Budaya, 7(1), 160–171.
Kim, S. (2023). The transformation into farce of Anton Chekhov’s Proposal: Focusing on the play Let’s Get Married. Journal of the Korea Entertainment Industry Association. https://doi.org/10.21184/jkeia.2023.4.17.3.125
Kshetri, D. B. K. (2022). Seeking Stanislavski techniques of actor training in Nepalese context from his book An Actor Prepares. Journal of Development and Social Engineering. https://doi.org/10.3126/jdse.v8i01.54265
Liang, R. (2025). Discussion on artistry and techniques of role shaping in drama performance. Journal of Contemporary Educational Research. https://doi.org/10.26689/jcer.v9i5.10564
Loway, S. N., & N. (2023). An analysis of id, ego, and superego by Sigmund Freud through Kat Stratford’s character in 10 Things I Hate About You movie. Jurnal Sosial Humaniora dan Pendidikan. https://doi.org/10.56127/jushpen.v2i1.517
Machková, M., & Rais, M. (2023). On the hidden potential of public solitude, part I: Ivan Vyskočil’s theatre as encounter. Stanislavski Studies, 12(1), 69–86. https://doi.org/10.1080/20567790.2023.2286600
Martin, G. (2021). The psychology of comedy. Routledge. https://doi.org/10.4324/9780429347269
Mayda, M., Irianto, I. S., & Pramasheilla, D. A. A. (2025). Pemeranan tokoh Sinah dalam naskah Orang Asing karya Rupert Brooke. Prabung Seni: Jurnal Pengkajian dan Penciptaan Seni, 4(2), 33–51.
Mubarock, W. F. (2021). Analisis psikologi tokoh dalam naskah drama Pinangan karya Anton P. Chekhov saduran Jim Lim Suyatna Anirun dengan pendekatan psikologi analitis Carl Gustav Jung serta implikasinya terhadap pembelajaran. Triangulasi: Jurnal Pendidikan Kebahasaan, Kesastraan, dan Pembelajaran. https://doi.org/10.55215/triangulasi.v1i1.3219
Mughni, S. M., Fiqoh, A., Yansa, F. A., & Roikhah, I. F. (2023). Meminang pinangan orang lain menurut Kompilasi Hukum Islam dan ulama fikih. Komparatif: Jurnal Perbandingan Hukum dan Pemikiran Islam. https://doi.org/10.15642/komparatif.v3i1.1705
Pasaribu, R., & Irianto, I. S. (2022). Pemeranan tokoh Banio dalam naskah Barabah karya Motinggo Busye dengan menggunakan metode akting Stanislavsky.
Sumarsono, I., Agusalim, I. D., Kusumawati, E., Muhammad, A. F., & Nurisma, R. (2023). Acquiring economic and social stability in Chekhov’s A Marriage Proposal. Lingua Scientia. https://doi.org/10.23887/ls.v30i1.40010
Tavakol, Z., Nasrabadi, A. N., Moghadam, Z., Salehiniya, H., & Rezaei, E. (2017). A review of the factors associated with marital satisfaction. Galen Medical Journal, 6(3). https://doi.org/10.31661/gmj.v6i3.641
Theuriau, F.-G. (2019). The social question in “The Proposal” by Anton Chekhov. Studia Litterarum. https://doi.org/10.22455/2500-4247-2019-4-3-226-239
Trubochkin, D. V. (2024). On the earliest features of the genre of comedy. Arts Education and Science. https://doi.org/10.36871/hon.202402025
Verma, A. K., & Prasad, B. (2024). The Stanislavski system: Rethinking various aspects of acting. International Journal for Multidisciplinary Research. https://doi.org/10.36948/ijfmr.2024.v06i06.31937
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Aditiya Wardana; Enrico Alamo; Sulaiman Sulaiman

This work is licensed under a Creative Commons Attribution 4.0 International License.
Jurnal Cerano Seni provides open access to all content, ensuring that the information and findings in its articles are freely available for the benefit of everyone. All journal article content can be accessed and downloaded at no cost, in accordance with the applied Creative Commons license.















